Wow - what an evening! Thank you so much to everyone who joined us for the opening of "Imbalance". A warm welcome to lots of new faces and really pleased the open evenings are worth coming back for. With thanks to Peter and Jeff for keeping drinks flowing and Flic for her wonderful photos.
“It is a controlled yet intuitive development that allows a huge amount of freedom”
Karen Stamper on the process of collage
With the political world leaving us all feeling a little off kilter we’re reminded that throughout history artists have risen to such challenges. Chaos is a more natural state than order, the eye can rest uneasily on perfection, looking always for the variation or asymmetry inherent around us.
For this show we welcome The Cambridge 3: Lesley Birch, Karen Stamper and Clare Maria Wood, who have embraced their differences, balancing their unique skills whilst learning from each other. Individual artists made stronger by collaboration. Turbulent times encourage us to evolve our practice and we are excited to see how Jane Cairns has developed since her last show here. Meanwhile Jane Walker provides stability, with gentle precision she designs her multi layered lino prints, the balance of her compositions keeping the viewer entranced. Fresh from her success at the Society of Wildlife Artists exhibition in London, new sparrows have arrived from Esther Tyson. Her delicate, controlled oil paintings highlighting a once common bird now struggling to find a home, a passion for nature shared in Louisa’s intricate drawings. And then you have Mychael Barratt, who has probably seen it all before, with a career making original prints that covers virtually every possible technique. Last but by no means least we welcome ROI multi award winning artist Bernadett Timko to our selection, a young artist with an impressive resume.
In sculpture we are reminded that Vicki’s androgynous figures are captured at the edge of movement and this tension is echoed in the works of Reece Ingram, Rowena Brown and Sarah Palmer. It can be liberating for an artist to have some control wrested from their hands, to be steered along a different course. Flaws can be very pleasing, encouraging us to continue with and develop our work in our own way; blisters and colour runs in glazes, slubs and faults in fabrics, fissures and grains in wood guide us in directions we may not have initially taken, allowing our thoughts and imagination to flow freely.
Pots and vessels lean and slump, incongruous subjects come together in the same frame, rough unpolished jewels sit atop gleaming precious metals. An eclectic mix of pattern, tension and precision.
Another beautiful evening for the opening of our latest exhibition, "Natural Living". Lovely to see so many people, both familiar faces and new visitors. Many thanks to Jeff for keeping the drinks flowing and Flic for her sensitve photography.
“Have nothing in your house that you do not know to be useful, or believe to be beautiful” - William Morris
Memories of the long hot summer fading, we leave the garden in peace and turn to our interiors, looking to artists to keep us in touch with nature.
Painting can be a solitary experience, the better to absorb and distil the world around us. With landscapes featuring strongly, each artist has their own approach, a distinct language arising from their method and interests, the process capturing the light and mood as much as the view. Whether painted en plein air or back in the studio the soundscape is as important; the cry of birds, the whistle of wind or simply the absence, the stillness. But it's not all beautiful scenes of boats and light dancing on Bewl Water or the rolling Sussex landscape. Pause a moment to admire the arresting industrial structures and how they define our landscape and our place within it.
In contrast to this variety of landscapes there is quiet contemplation and intricate observation.
Nature is always in the background of our choices for Artichoke Gallery and this show will not disappoint. Across the gallery you'll find birds and insects, frogs and dogs, a camel and even the odd deer or two (well it is nearly Christmas).
The ceramics are understated, tactile neutral forms as much a pleasure to handle as to view. Enjoy the clean lines in a glorious range of colours and glazes from a variety of highly experienced studio potters. Others are decorated, hand painted and informed by centuries of familiarity with functional household vessels.
We have an exquisite range of jewellery and luxury scarves to set your heart on, make it easy for your loved ones and leave a hint or two with us.
And there's always time for fun at Artichoke, from Tai Chi goats to Pizza Eater Cheetahs, we like to raise a smile with the odd bit of frivolity!
Beautiful weather for our opening of "Follow the Line", with wines to taste from the local vineyard, LImden, and Kit's Popup Paella. With thanks to Jeff for keeping the drinks flowing and to Flic for her role as paparazzi - click on the images to look closer.
It all begins with a line, the physical mark on a surface
The stroke of a brush, charcoal or pencil, the splash of a sponge, a cut with a knife, incising into lino, metal or clay. Random or controlled, colour or monochrome. From initial sketches to finished works, those early marks remaining to tell the story or hidden beneath subsequent layers but still important to the final piece.
Intuitive marks, fluent and confident, spontaneous or more considered, the empty spaces telling their own story. Building those lines into blocks, creating patterns, systematic layering or seemingly uncontrolled yet never left entirely to chance.
Lines can be seen across the landscape: a neatly ploughed field, a row of trees, the wavy line of hills in the distance, where an artist can capture a sense of place. We walk these lines, footpaths and bridleways, gathering memories as we journey.
Geology, geometry, graphite, gesture, graffiti all have their part to play in influencing artists.
When choosing ceramics, shape and form become important. The outline, uncluttered by pattern encourages touch, a sense of quiet and balance. Equally we are drawn to the colours, textures and surface design, a line to entice us round the form, a tactile sensory treat. A row of bottles, a collection of jugs, a juggling dog, holding the delicate porcelain, a feast to the eyes alongside their function, a small everyday luxury.
Jewellers using repetition to create pattern out of lines. Clean, crisp, mathematical precision come to the fore. Others use a linear thread to hold onto, as well as adding colour to the line.
Lovely to see everyone who braved the rain last Friday to join us for the opening of "Beneath the Canopy". Thanks as ever to Peter and Jeff for keeping the drinks flowing and to Flic for her role as paparazzi - click on the images to look closer.
An enduring fascination with trees: their majestic forms and graceful branches, the abundant wildlife they support.
There is a quiet moment when all manor of colours can be found in the hedgerows reflecting the intensive light and stormy skies. Then suddenly the harsh winter skeletons are replaced with a haze of spring green as the new leaves hurry to catch the warmth. Bird calls echo from tree to tree and across the fields as they search for nesting sites and forage for their young. The vibrant daffodils make way for lush greens, pinks and blues as food becomes more plentiful for emerging insects. There is a buzz in the air as fruit trees burst into bloom and the longer days entice us outside again to enjoy the countryside in this corner of England.
Such an emotional response must be captured and shared and it’s little wonder then that artists throughout time have been enthralled by their majestic forms. The new exhibition at Artichoke Gallery brings us right up to date, from intricate black and white prints by Sue Scullard to vibrant landscapes from Anne de Geus, Caroline Chappell and Herme Bellido. Tim Pryke is outside capturing the local views throughout the year while Susie Monnington spends her time on the banks of the river Ouse. The ethereal beauty of works by Melanie Goemans and Louisa Crispin invite us to look closer.
But no exhibition about trees would be complete without the wildlife they support. In amongst the foliage searching for the birds is wildlife painter, Esther Tyson with her collection of sparrows, while Sue Brown develops her affinity with feathered garden visitors back in the studio. Kate Kato brings insects, faithfully reproduced in paper. Rusty metal features in Sarah Walton’s cast iron bird bath and David Mayne’s delicate sculptures. You’ll be forgiven for thinking there is a Kestrel in the Gallery, although not an exact replica, Simon Griffiths ceramic bird captures the essence of this beautiful bird. Jazmin Velasco-Moore takes us back to the life and times of the great painters with a contemporary twist. This is just a taster of the latest exhibition at Artichoke Gallery opening on 31st March.
Ticehurst falls within the High Weald area of outstanding natural beauty, a medieval landscape of wooded hills and ancient routeways. Believed to derive from Anglo Saxon “wood where the young goats feed”, Ticehurst is surrounded now by orchards and small fields edged with hedges, copses and magnificent standards. A trip to nearby Pashley Manor Gardens will reward you with a graceful old Oak, it’s ageing branches now supported, and thousands of bulbs planted for the tulip festival in April. A short drive brings you to Bedgebury National Pinetum, home to one of the Worlds finest conifer collections and beautiful woodland walks.
Whatever your plans, include a break in Ticehurst to see the delights “Beneath the Canopy” at Artichoke Gallery: Paintings, Sculpture, Ceramics and Jewellery inspired by our love of trees, birds and insects.
A big thank you to everyone who braved the dark eveing last Friday to join us for the opening of "Through the Window". Thanks as ever to Peter and Jeff for keeping the drinks flowing and to Flic for her role as paparazzi - click on the images to look closer
January brings a new exhibition to Artichoke Gallery in Ticehurst as Vicki, Liz and Louisa invite you to look “Through the Window” to their latest selection of paintings, sculpture, ceramics and jewellery.
If we’re lucky the views from our homes encompass the wide open spaces, the fields and woodlands so typical of our countryside. Maybe you are thinking of weekend walks across the countryside or bracing days by the sea. Kate Penoyre, Caroline Chappell and Ian Rawnsley specialise in painting these scenes so you can enjoy them whatever the weather.
Perhaps you are cosy by the fire, watching birds flitting from branch to table, feeding in the fading light. Think of Anna Dickerson as she captures their jewel like presence in many fine layers of paint and Chris Moss, whose wire birds make a welcome return to the Gallery.
A trip to town brings glimpses into the bustling coffee bars, animated conversations played out as silent movies. Robert Pugh is watching and creates lively etchings that make him feel what they are feeling.
As evening draws in we can peek into other lifestyles, catching impressions of their treasured objects on the shelf and arrangements on the table, a Still Life ready to be painted. And who better to represent this than Rosemary Vanns, Vicky Oldfield, Raymond Sheldon and Paula Sharples, four very different interpretations.
Creating your own still life arrangements is made easy with such a fine selection of ceramics and sculpture. New for January includes Cat Santos, Richard Baxter, Kate Garwood, Jo Davies, Sean Gordon and the long awaited By The Line Pottery.
The jewellery is unexpected: silver, wood, enamel, gold, beads and precious stones combined in a vibrant collection, as much art as craft and a great opportunity to find a statement piece. New for January are Tracey Falvey, Rachel Brown and Jennifer Wall, and a welcome return for Cristina Zani, Ulli Kaiser, Laura Bennett and Caroline Findlay.
Whatever your plans, include a trip to Artichoke Gallery in Ticehurst to see the delights “Through the Window”, a mixed show and another sensory treat.
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